Le mepris 1963 movie torrent download

Drama 99 mins Director: Olivier Assayas. Olivier Assayas' sexy and stylish ode to the madness of filmmaking, with Maggie Cheung as the Hong Kong movie star playing a Catwoman-style anti-heroine.

Documentary mins Director: Shivendra Singh Dungarpur. A tribute to film archivist and obsessive cinephile P. Nair, and his long, hard fight to preserve India's precious film heritage. Comedy mins Director: Marco Ferreri. Marco Ferreri's provocative and controversial satire about four friends who retreat to a country mansion with the intention of eating themselves to death.

Drama mins Director: Jean-Luc Godard. Jean-Luc Godard intercuts footage of The Rolling Stones composing their classic Sympathy for the Devil with punchy agitprop sketches on the global anti-imperialist struggle.

Detective drama 99 mins Director: Jean-Luc Godard. Film noir 90 mins Director: Jean-Luc Godard. Drama 96 mins Director: Jean-Luc Godard. Documentary 82 mins Director: Kristof Bilsen. An intimate and moving exploration of motherhood and the frustrations of being unable to care for the ones we love.

Email address. Leave this field blank. Not Rated. Did you know Edit. Trivia Fritz Lang was 73 when he made the film. One of the reasons why he hadn't directed in some years - his last film was Die Augen des Dr. Mabuse - was because he was virtually blind at this stage in his life. Goofs It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself.

Crazy credits The opening cast credits are read, without titles. User reviews Review. Top review. Contemptuous Anti-Film. One can almost see the self-satisfied smirk on Godard's face as he watched the critics of the day fall over themselves to praise this stultifying exercise in pretentious self-indulgence.

Like a child who wishes to destroy his toys — but with infinitely more style and grace — he methodically set about disassembling every accepted notion of modern cinema then giggled behind his hand as the establishment gazed in admiration at the pretty patterns of the pieces before patting him on the head.

Michel Piccoli plays a writer drafted by brash American movie producer Jack Palance to re-write his version of Odyssey, which is currently being filmed by veteran German director Fritz Lang playing himself. As he struggles to decide whether to accompany Palance on a location trip to Capri, Piccoli is disturbed by the sudden unexplained moodiness of his beautiful young wife the luscious Brigitte Bardot.

Contempt is ostensibly a reference to Bardot's opinion of Piccoli. In the opening scene she is in full sex-kitten mode, lying naked on a bed, ticking off her various body parts and asking her adoring husband whether he likes them, and it is clear she loves him as much as he loves her.

The next time we meet her, one seemingly insignificant incident triggers a shockingly abrupt turnaround in her feelings, and her relationship with Piccoli rapidly begins to unravel although, paradoxically it feels as though it takes Bardot and Godard an absolute age to finally get there. The disintegration of the unhappy couple's relationship is frequently mirrored in the story of the Odyssey, and direct comparisons are often drawn between the two.

Their story drifts slowly towards a lazy conclusion of which Godard was no doubt immensely proud. That's because the title of the film refers as much to the emotion with which he held the state of cinema as it does the emotions felt by the characters of the screen.

Godard deliberately took every aspect of accepted film-making practice in this film and turned it on its head. Fritz Lang, the old-time director whose on-screen film is being cheapened by Palance's brash producer, represents the cinema of the past, cast aside for lesser values Godard clearly despises see Palance's child-like glee at the sight of the mermaid's breasts, for example. By Lee Kline. On the heels of the release of his latest album, Silfur, the Emmy-winning composer and pianist shares a selection of his favorite films and some thoughts on the power of a good musical score.

The wildly prolific French director, novelist, and playwright celebrates the films that bring him pleasure and confound his understanding.

A pioneer of the French new wave, Jean-Luc Godard has had an incalculable effect on modern cinema that refuses to wane. His groundbreaking debut feature, Breathless —his first and last mainstream success—is, of course, essential Godard: its strategy of merging high Mozart and low American crime thrillers culture has been mimicked by generations of filmmakers. Today Godard remains our greatest lyricist on historical trauma, religion, and the legacy of cinema.